展覽介紹
我不耽溺於當下,但我沈溺於回憶。
我樂愛於閒暇之時,在住家附近的河濱公園散步、晃悠,也時常到市區近郊的登山風景區爬山、遠足。
自創作以來,描繪的主題多以風景為主,而我在描繪風景的過程中,找到了能與自己溝通的方式。我認
為,愈是日常所見的景物,愈能從中挖掘出意想不到的呈現。
此次展出的作品,對於風景和植物有著不同視角的描繪。構圖的取決往往是對風景的第一印象,依著自
己的記憶,依著自己的感受。我的作品好像在清晰和曖昧不明的記憶之間構築而成,而我時常認為回憶
總是以清晰的姿態出現之後,迅速地消散。印象和曖昧的感受或許會隨著時間一點一滴消失在記憶之
中,但作品卻能隱約浮現創作當下的情緒和感受,浮現我和記憶之中的風景的曖昧關係。
我相信,不論我的作品帶給觀者何種情緒,畫面中的某些呈現或許也曾經出現在觀者的日常生活中,並
獲得共鳴而形成一種交流。情感和經驗對我而言是不能被量化的,而不被量化的狀態下,才能讓我沒有
侷限且自在的,藉由畫筆表現這個世界。對我而言,我的創作是對於風景繪畫的一些新見解,和描繪出
屬於這個時代的風景畫。
Exhibition Introduction|
I don't dwell on the present, but I dwell on memories.
In my free time, I like to walk and hang out in the riverside park near my home. I also often go
hiking and hiking in mountain climbing scenic spots in the suburbs of the city. Since the
creation, the subjects depicted have mostly been landscapes, and in the process of depicting
landscapes, I have found a way to communicate with myself. I believe that the more scenes we
see every day, the more unexpected manifestations can be unearthed from them.
The works on display this time depict landscapes and plants from different perspectives. The
composition often depends on the first impression of the scenery, based on one's own memory
and one's own feelings. My works seem to be constructed between clear and ambiguous
memories, and I often think that memories always appear clearly and then quickly disappear.
Impressions and ambiguous feelings may disappear bit by bit in memory over time, but the
work can vaguely reveal the emotions and feelings at the moment of creation, and the
ambiguous relationship between me and the scenery in memory.
I believe that no matter what kind of emotions my works bring to the viewer, some of the
representations in the picture may have appeared in the viewer's daily life and resonated to
form a kind of communication. Emotions and experiences cannot be quantified for me. Only
when they are not quantified can I express the world through my brushes without limitations
and freedom. For me, my creations are some new insights into landscape painting and the
depiction of landscapes belonging to this era.
