藝術家以玻璃與石材為媒介,玻璃經高溫塑形,捕捉雲雲霧、雨水與光的流動;石材則以沉靜的重量與自然肌理,在透明與厚重、虛與實、流動與結之間,承接土地與時時間,自然經驗與身體感受。

The artist works with glass and stone as primary mediums. Shaped through intense heat, glass captures the fluidity of mist, rain, and light, while stone, with its quiet weight and natural textures,holds the presence of earth and time. Between transparency and solidity, the intangible and the tangible, movement and stillness, the two materials embody experiences of nature and the sensations of the body.

兩種材質在直接雕塑與塑形的過程中相遇,藝術家不再以主觀意識完全掌控形體,而是以「自我讓位」的方式創作,不是對自然的複製,而是在與材料相處的過程中,逐漸接近自身真實而通透的感受。

The two materials converge through processes of direct carving and forming. Rather than imposing complete control over the form, the artist embraces a process of “self-effacement,” allowing the work to emerge through an open dialogue with the materials. The aim is not to replicate nature, but to gradually approach a more genuine and transparent sense of self through the process of engaging with the material.

作品的靈感來自日常與自然,微小的事物,都是創作的起點:雨中的水氣、山間的雲霧、荷花的盛放與凋零,甚至一管陪伴數十年的牙膏,讓生活物件從功能性之中脫離,成為具浪漫與趣味的想像。

The works draw inspiration from nature, everyday life, and the seemingly insignificant things that surround us. Water vapor in the rain, mist drifting through the mountains, the blooming and withering of lotus flowers, and even a tube of toothpaste that has accompanied the artist for decades become starting points for creation. Freed from their ordinary functions, these familiar objects are transformed into imaginative forms imbued with romance and playfulness.

本次展覽以水的流動貫穿,從天上的雨、山間的雲霧,到地面的水與粼粼波光,將生活經驗凝一種精神性的風景,讓觀看者在光、空氣、材質與想像之間,感受到生命扫態

Water serves as a recurring thread throughout the exhibition—from rain falling from the sky and mist moving through the mountains to water flowing across the earth and shimmering in the light. Everyday experiences are distilled into a spiritual landscape, inviting viewers to encounter the continuous flow of life through light, air, material, and imagination.