本檔以萬物⽣長為題，匯聚藝術家林冠吟與曾芷郁的創作，兩位藝術家分別以畫作與雕塑創作，從植物、光影與物件出發，探索⽣命形態如何於材質之中留下痕跡，並在轉化之間展開新的存在⽅式。

Titled Where All Things Grow this exhibition brings together the works of artists Chih-Yu Tseng and Kuan-Yin Lin. Through painting and sculpture respectively, the two artists explore how forms of life leave traces within materials, beginning with plants, light,shadow, and everyday objects, and revealing new modes of existence through processes of transformation.

林冠吟透過植物、老屋構件與⽣活物件作為創作媒介，將常⾒於居家環境中的植物形象轉化為立體浮雕，並結合早期建築拆卸後留下的舊⽊窗框，窗框猶如另⼀⾯觀景窗，承載著⽣活經驗與地⽅記憶。那些曾在屋簷、窗邊、庭院⾓落⾃然⽣長的⽣命，似乎凝結為具有時間感的「新家具」。

Kuan-Yin Lin uses plants, architectural remnants, and everyday objects as creative mediums, transforming familiar domestic plants into sculptural reliefs. By incorporating old wooden window frames salvaged from demolished traditional houses, the frames become another kind of viewing window, carrying traces of lived experiences and local memories. The lives that once grew naturally beneath eaves, beside windows, and in garden corners are condensed into a new form of “furniture” imbued with a sense of time.

曾芷郁以花草、風景描繪為核⼼，關注光影、時間與記憶在材質中的⽣成。她將⾏走於⼭林之間的觀看經驗轉化為紙⾯上的輪廓、暈染與層疊，使植物形象於光線與紙張之間若隱若現，如同記憶般不斷浮現與消退，繪畫猶如拓印的葉⽚，在⾃然中消長。

Chih-Yu Tseng’s practice centers on the depiction of flowers, plants, and landscapes,exploring the formation of light, time, and memory within materiality. She transforms her observations and experiences of walking through forests and natural landscapes into outlines, washes, and layered structures on paper, allowing plant forms to emerge and fade between light and paper, much like memories that continuously surface and recede.