本次展出作品，以小世界為題，除了指向一個實體的場域，也代表內在的隱 喻，處於現實與想像之中。兩位藝術家皆關注生活中細微的事物，撿拾遺落的 日常風景，或是難以言說的情緒。

張芸家的作品以膠彩描繪建築、空屋、遊樂設施或城市角落等帶有敘事性的場景，「城市寓言」與夢境感並存的空間敘事，一個像是「浮城」般的所在。作品 亦關於遺落與撿拾、攀登與俯視，透過不同視角與感受的景觀，呈現既舊且新 的世界。

The exhibition takes “Small World” as its theme. Beyond referring to a tangible space, it also serves as a metaphor for an inner landscape that exists between reality and imagination. Both artists focus on the subtle and often overlooked aspects of everyday life, gathering fragments of ordinary scenery and the quiet, unspoken emotions that linger within daily experience.

Through nihonga (mineral pigment) painting, Chang Yun-Chia depicts narrative scenes such as buildings, vacant houses, playground structures, and corners of the city. Her works construct spatial narratives where urban fables coexist with dreamlike atmospheres—places that resemble a kind of “floating city.” The works also reflect gestures of losing and retrieving, climbing and overlooking; through shifting perspectives and sensorial landscapes, they present a world that feels both old and newly revealed.

陳以倢以雕塑作品建立情感和感官的連結，那些隱而未見的「小情緒」。圍繞在 日常感受與細微情緒，雕刻出的神色與姿態，既童趣、又懷揣著心事，作品像 故事裡的角色，將感受放大延伸，每件作品都有情境或故事，形塑出屬於他們世界觀。

當觀者在空間中穿梭時，微小之物在此獲得新的尺度，彷彿進入一個由故事、 記憶與情感共同編織出的棲居之所。

Chen Yi-Chieh, working primarily in sculpture, creates connections between emotion and sensory perception—capturing those subtle feelings that often remain hidden or unseen. Centered on everyday sensations and delicate emotional states, the expressions and postures she carves are at once playful and quietly contemplative. Her sculptures resemble characters from a story, extending and amplifying emotional experience; each work carries its own situation or narrative, shaping a world defined by the artist’s unique perspective.

As viewers move through the space, these small and intimate elements take on new scale, as if entering a place of dwelling woven from stories, memories, and emotions.